Acid free rice paper, typescript
Edition 1/3
21.5 H x 7.9 W in each
54.5 H x 20 W cm each

1 in stock



Many of the stories that we usually see on television, especially in soap operas, are realities that many secretaries live that every day work in this profession, as 60 words per minute, who after her education and experience as a secretary, extracts visual elements and documentaries of this professional field. Her closeness has raised questions about the realities of these women, but also about the educational and work environment in which the secretaries subscribe.

Abigail Reyes has managed to suggest some of the situations of submission, degradation and exploitation that the secretaries must support on a day to day basis, and that are also evidenced in some media. That is why Reyes is provided with classified ads, testimonies and fragments of soap operas to propose a thought about the naturalization that has been given to the hierarchy of this labor field. Her pieces, which roam between poetry and art, propose a feminine fragility that confronts him with a nineteenth-century and patriarchal force; Through the same automation that the artist emphasizes in the work of the secretaries, her texts are repeated again and again, until meaning and coherence are removed from said purposes. Erika Rosa



Lives and works in La Libertad, El Salvador. 



2018 – Write Three Times Each Line: Luis Poma Gallery. El Salvador.

2017 – 60 Word for Minute. Lokkus Gallery, Medellín, Colombia; Donde hubo fuego. Permanent exhibition. Museum of Art of El Salvador, San Salvador; Untitled. Extra Gallery, Guatemala.

2015 – Good Fortune. MARTE Museum, San Salvador, El Salvador; To Leave/To arrive. Manzanita Hall Gallery, California State University, Northridge .

2014 – Prelibri. Museum of Contemporary Art and Design. San José, Costa Rica.

2013 – Prelibri. Insitu/Space L, Cultural Center of Spain, San Salvador, El Salvador.



2018 – Video SUR: Palais de Tokyo, París.

2017 – First Day of Good Weather. Sies + Höke Gallery, Düsseldorf, Germany; Sí Señor. Art Cologne with Sies + Höke Gallery, Germany.

2016 – The Host. Cinema Tonalá, Room Kubrick. Bogotá, Colombia; To Jump the Rope. Miami Art Week. Context. Miami; Untitled. Taimiao Art Gallery, China, Beijing; A Cielo Abierto. Sala Nacional de Exhibiciones, San Salvador, El Salvador.

2014 – Fabrikación 1. La Fábrika, La Libertad, San Salvador; My Universe will Die With Me. Cultural Center of Spain, San Salvador, El Salvador; 10: Guilt. MARTE Museum, San Salvador, El Salvador; Generación del Encierro. Teorética, San José, Costa Rica; Arte-Objetó. Alternative Projects Poporopo. Guatemala.

2012 – Esto no es una De-Generación. La Casa Tomada, San Salvador, El Salvador; Vitamin D. Cultural Center of Spain, San Salvador, El Salvador. 

2011 – Alegría Relacional. La Casa Tomada, Usulután-San Salvador, El Salvador.



– Y.ES Academy. Location: is independence possible?. La Libertad, El Salvador.

– Artist Y.ES Grant. To produce a solo show and travel.

– Ipsofacto Poetry Contest. Winner.

– Rapaces: “Relational prostheses”. A workshop on the art of performance and individual identity in a social context. San Marcos, Nicaragua.

– Rapaces: “Meaning Constructed, Meaning Found, a proposal from the audiovisual”. Diriamba, Nicaragua.